
One of the elements that she emphasized was to begin with strongly tinted paper. Depending on the scene you intend to paint, tint with a warm or cool acrylic wash. The watered-down liquid acrylic wash also seals the charcoal underdrawing, which is very handy. (But I'm not sure I am willing to give up that pristine white page! I suppose when one of your colors is white, it isn't that critical. I have put some BFK Rives tan colored paper in my everyday sketchbook, to test it with watercolor. If it works well I might add that white gouache to my palette.)
Once again, there were some very nice folks in the workshop. As always at the Art League. One of them is going to Provence with Susan Abbott in a few weeks. ENVY!!
I spent some considerable time on the painting above. Really messed around with it. The one below was a very quick sketch with minimal prep. Gouache worked well for both of them. I think.

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