Lollipop 3, 10" x 10", paper and encaustic on panel.
(Wherein Lollipop monotype was glued to a panel and used as the substrate for the encaustic. The Saint-Armand paper worked very nicely with the encaustic. Love the stuff!)
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Winslow Homer, Artists Sketching in the White Mountains 1868 (Portland Museum of Art)
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☛ Kathryn Dettwiller's list of reasons she loves encaustic, all of which I share: Let Me Count the Reasons
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Two more pieces from this weekend -- Tube and Water -- in the Gallery2010. I am thinking of filling the thin incised lines in Water with a pigment stick color. What do you think? Should I use a compliment (an orange or a yellow orange) or an adjacent (a blue or a green)?
Vote! What color lines should I add to Water? See it in Gallery2010.